NewsRadio · S02E11 · 1996-01-07
Station Sale
Written by Leslie Caveny, Brian Kelley, Lewis Morton, Joe Furey, Josh Lieb, & Paul Simms. Directed by Tom Cherones.
Mirrors including this episode
Connections
The institution goes on the market
Community S05E12 “Basic Story” — Ownership changes hands over the heads of the people who live inside the institution, and the first reaction is fear of dispersal.
The buyer would convert the format, not just the ownership
Community S05E12 “Basic Story” — The threat is not that the building closes. It is that the building stays and stops meaning what it meant.
The new owner absorbs the existing people
Community S05E12 “Basic Story” — Survival is offered on the condition of becoming part of the thing that replaced you.
The ensemble claims unity, then fractures
Community S05E12 “Basic Story” — A shared threat produces competing individual strategies before it produces a collective one.
A deadline, then a procedural escape that makes no business sense
Community S05E12 “Basic Story” — Both institutions are saved by something technically valid whose comic value comes from how badly it fits ordinary business logic.
Emotion against the deal, and then emotion as the machinery
Community S05E13 “Basic Sandwich” — Feeling is the thing a transaction is supposed to exclude, and is the thing that actually decides the outcome.
The sale exposes who the ensemble actually is
Community S05E12 “Basic Story” — The institution turns out to be the people, which is what makes losing the building intolerable.
Annotated lines
3 lines in this episode carry research attached to the exact wording. Each jumps into the script below.
“Sir, who are you in negotiations with? Robertson Communications.”
“It's "Never let your emotions cloud a deal.”
“25, plus a piece of gum? Beth-- Mr.”
Script passages under research
This episode’s transcript holds 383 lines, 3 of them with a speaker the source actually names (1%). The full text stays in the private research store, because republishing a whole copyrighted script is a different act from quoting the passages an argument rests on. What follows is every passage this site has research attached to, with 6 lines of surrounding context so the exchange still reads. A line with no name in front is a line whose speaker this source does not prove. Nothing is guessed.
S02E11 lines L39–L51
I'm sorry.
I thought I heard you say-- You heard right.
I am currently in negotiations to sell WNYX, which is why I wanted to tell you people about it before you read it in the papers tomorrow.
Um, I think someone should check on Matthew.
Come on, sweetie.
One foot in front of the other.
Sir, who are you in negotiations with? Robertson Communications.
mirrors the plot of Established interpretation
The institution goes on the market. Ownership changes hands over the heads of the people who live inside the institution, and the first reaction is fear of dispersal.
They own a whole bunch of AM stations, but they're good people.
This is completely bogus.
Completely bogus.
Joe, what exactly is so bogus about it? I don't know.
There's something bogus in there somewhere.
This is very upsetting.
S02E11 lines L284–L298
Well, what are you going to do? I already did it.
I sold the station.
That's not exactly the path I would have chosen, but-- Oh, yes, it is.
I thought you loved owning this station.
I do, Cathy, I do, but you know my personal credo.
Actually, you know, I don't.
It's "Never let your emotions cloud a deal.
mirrors the plot of Established interpretation
Emotion against the deal, and then emotion as the machinery. Feeling is the thing a transaction is supposed to exclude, and is the thing that actually decides the outcome.
" That's rule number one.
"Never let your emotions--" Yeah, I got it.
I got a question for you.
Yeah? Are the new owners aware of how difficult it's going to be to run a station without this? What is that? I'm not saying, but I'd advise everybody to take the stairs instead of the elevator from now on.
I'd like to raise a practical question at this point.
Why, Jimmy? Why? Are you all right? Yeah, yeah.
S02E11 lines L347–L360
Oh, 40 big boys! That's beautiful.
All right, I'll give you $49.
$49.
Yeah, that's almost $50 of my own money, Which is like a whole lot of my salary.
But you know what? I can go without lunches for a month, so that's fine.
How about 60? about 49 .
25, plus a piece of gum? Beth-- Mr.
mirrors the plot of Established interpretation
A deadline, then a procedural escape that makes no business sense. Both institutions are saved by something technically valid whose comic value comes from how badly it fits ordinary business logic.
James, that's all I got.
Now you can sell the station for millions, or you can keep the station, which is worth millions of dollars, plus you make Yeah, uh No, I'm sorry to keep you on hold, Jane.
Uh-huh.
Well, guess what? Yeah, I'm going to have to pass.
A better offer came along.
What can I tell you? I'll talk to you tomorrow.