Compare the live Inca Roads drum tab against every transcription we hold on this Mac and
report what is missing or wrong. The comparison ran against the Songsterr revision chain,
the archived professional transcriptions at ~/Projects/_outputs/zappa-drum-sources/,
and the baseline Guitar Pro export kept for this song. Every number below came from the
part JSON that a reader actually receives from CloudFront.
| Revision | Date | Author | Tracks | State | What it says |
|---|---|---|---|---|---|
| r8907511 | 2026-09-05 | Brandon chavez | 12 | on moderation | Restores the 165 ghosts. Not public. |
| r8769026 | 2026-08-30 | Brandon chavez | 12 | LIVE | Removed the 165 parenthesised noteheads. |
| r7750859 | 2026-07-06 | Darr | 12 | superseded | Reverted a track deletion. Last clean state. |
| r7723273 | 2026-07-04 | e | 10 | superseded | Finished the guitar solo, deleted the AI tracks. |
| r7244427 | 2026-06-07 | Ben Dibden1 | 13 | superseded | Earlier full build. |
| r279379 | 2016-09-03 | enikey87 | 8 | superseded | Initial revision. |
Eleven revisions exist in total. The five omitted rows are earlier Ben Dibden1 and “e” passes that no finding depends on.
Comparing Darr’s r7750859 against the live r8769026, beat by beat, on the Chester Thompson staff. Beat count and note count are identical at 1,491 and 1,529, so no playing was deleted. What vanished is the ghost flag on 165 of those notes, the bracketed noteheads that mark the quiet strokes between the loud ones.
| Lane | MIDI | Ghosts lost | Share |
|---|---|---|---|
| Acoustic snare | 38 | 134 | 81.2% |
| Crash cymbal 1 | 49 | 14 | 8.5% |
| Bass drum | 36 | 7 | 4.2% |
| Crash cymbal 2 | 57 | 6 | 3.6% |
| Closed hi-hat | 42 | 3 | 1.8% |
| Outside the kit | 92 | 1 | 0.6% |
| Total | 165 | 100% |
The same sweep added a dynamic to every beat it touched. In r7750859 those 165 beats carry
velocity: null. In the live revision they carry 83 pp marks and 83
mf marks. The stated reason was to preserve the quiet reading after the brackets
came off. The effect is that a reader now sees written dynamics that Darr never put in the
score, on a staff that previously had none.
This is the finding that would break any audit that looked at one staff alone. The AI staff carries bars 1 to 155 and is completely empty from bar 156 to the end. The Chester Thompson staff is the mirror image, silent through most of the first half and carrying everything from Interlude 2 onward. Exactly one bar, bar 3, has notes on both.
| Staff | Bars with notes | Empty bars | Notes |
|---|---|---|---|
| 10, AI | 1-28, 37-51, 63-137, 141-155 | 191 | 1,844 |
| 11, Chester Thompson | 1-3, 29-36, 52-62, 138-140, 156-289, 296-322 | 138 | 1,529 |
Combining both staves leaves eight bars with zero drum notes. Six of them run consecutively and land on a named section.
| Bars | Section marker | Staff 10 | Staff 11 | Verdict |
|---|---|---|---|---|
| 290-295 | Interlude 3 | empty | empty | six-bar hole |
| 31 | Break 1 | empty | empty | single bar |
| 33 | Break 1 | empty | empty | single bar |
The two single bars inside Break 1 are plausible as written rests, because a break is where a band stops. Interlude 3 is the one to check against the recording, since six bars of silence going into the Booger section is a large claim for a tab to make.
The live revision description states that the second drum staff “had none and was not touched.” The beat counts disagree. Staff 10 went from 1,475 beats to 1,501, a gain of 26 across 17 bars. Every added beat is a rest and the note count holds at 1,844, so no playing changed. The claim in the description is still wrong and should be corrected in any future note.
bars affected: 168, 173, 175, 177, 178, 179, 180, 186, 187, 188, 296, 298, 300, 301, 302, 308, 309
Bar 1 of the Chester Thompson staff carries a note at MIDI 92 on string position -0.5, which places it on a ledger above the staff. General MIDI percussion runs from 35 to 81, so 92 sits outside the drum map entirely and will not sound as any kit piece.
ghost: true. The marking belongs to the author and predates the sweep. The repair restores its ghost flag and leaves the pitch alone, which is the correct
call under the rule that restoring means reproducing what the author wrote.The honest answer to “compare it against all our transcriptions” is that no professional drum transcription of Inca Roads exists in the archive. Every folder was checked.
| Source folder | Transcriber | Holds | Covers Inca Roads |
|---|---|---|---|
| 02-drummagazine | Ryan Brown | 7 notation PNGs | No |
| 01-cruiseshipdrummer | Todd Bishop, Daniel Bédard | Flower Punk, Apostrophe, Yellow Snow, others | No |
| 03-petesweeney | Pete Sweeney | Vinnie transcriptions PDF, 9 pages | No. Dong Work For Yuda and Keep It Greasy only. |
| 06-drumnet | Drumnet.ru | Not recovered on this Mac | No |
| 08-analysis/zappa-analysis | Kasper Sloots | inca-roads-1973-a.jpg, -b.jpg | Melodic only |
| 10-academic | Clement, Wall | Dissertation and thesis | No drum notation |
That leaves the Songsterr revision chain as the only valid comparator, which is why every finding above is a revision-to-revision measurement rather than a chart reading.
The repair revision r8907511 was checked at placement level rather than by counting, because a total cannot see where a mark landed. On Zomby Woof a queued repair of mine held 8 ghosts against the author’s 32 and not one of the 8 sat on a bar and drum the author had marked. The same check was run here, building the set of bar, voice, beat, string and lane tuples on both sides and taking the difference.
| Check | Darr r7750859 | Repair r8907511 | Difference | Verdict |
|---|---|---|---|---|
| Bar count | 322 | 322 | 0 | match |
| Ghosts on staff 11 | 165 | 165 | 0 | match |
| Ghosts in the author’s exact slots | 165 | 165 | 0 missing, 0 extra | match |
| Dynamic marks on staff 11 | 1 | 1 | 0 | the 166 are gone |
| Staccato flags | 1 | 1 | 0 | match |
| Beats on staff 10 | 1,475 | 1,501 | +26 | still off |
Two files sit in the Inca Roads work folder. They are byte-identical, sha256 ddb5235078c6cae4 for both, despite one being named for the original and one for revision r7750859.
| File | Bytes | AntiAccent | On the drum staves |
|---|---|---|---|
| ORIGINAL-Frank Zappa-Inca Roads-07-06-2026.gp | 111,487 | 14 | zero |
| RESTORE-r7750859.gp | 111,487 | 14 | zero |
All 14 ghost markings in those files sit on pitched notes, MIDI 69 and 62 at octave 5, which puts them on the guitar and marimba staves. The drum staves carry none. A file that genuinely held r7750859 would carry 165 on the Chester Thompson staff. Both files are post-sweep exports wearing a pre-sweep name, and the modification date of 2026-08-29 19:27 matches the day the sweep ran.
RESTORE-r7750859.gp to rebuild this restore would publish a stripped tab a second
time. The working repair was built from the CloudFront part JSON instead, which is the method
the skill already prescribes. These two files should be renamed to say what they are.